Today is Wednesday, June 29, 2016
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with John Torres
A Conversation with Lav Diaz
A Conversation with Kong Rithdee
A Conversation with the Editors of Bioscope Magazine
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Sasithorn Ariyavicha pt.1
Only light and memory
Words from that day
A Conversation with Philip Cheah
A Conversation with Amir Muhammad
A Conversation with Ato Bautista
A Conversation with Apichatpong Weerasethakul
A Conversation with Faozan Rizal
A Conversation with Edwin
A Conversation with Pen-Ek Ratanaruang
Continuities: Philippine cinema yesterday and today
The Trail of A Million Flowers
Journal Entry No.3: End Credits
Indonesian Cinema: A Year in Review
Uruphong Raksasad: Self-sufficiency moviemaking
Notes Made in the Dark
Speech Acts – Censorship and Documentary Filmmaking in Singapore
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Art, Entertainment and Politics
You can never go home
Journal Entry No.2: Wherever You Prosper
Rethinking Cinemas of Asia: Preliminary Thoughts
Coming Out of the Film School Closet
Singapore GaGa Tours Singapore
Why and for whom do you write/work today?
Alexis links
Reimagining Moroland: A tale of accidental filmmaking
Cinema Regained: Classic Filipino Films in Rotterdam
Mysterious Objects: On the early works of Apichatpong
Gazing with Fresh Eyes
Journal Entry No.1: Anticipations of Light
Revolutions Happen Like Refrains in a Song*
The Face of Auntie Jen
Monster!: I survive through other people’s memories.
Toward New Ways of Seeing Southeast Asian Cinema
Why and for whom do you film today?
Voices of Malaysian Cinema
Love Letters
Whose Terror Is It Anyway?

Not profound, just waiting to be found: Aaron Chung
Hassan Muthalib introduces us to the works of this short film maestro.
Country: Malaysia
   
Gie
History, Propaganda, and Perception: a Conversation between Lisabona Rahman and Paul Agusta on Riri Riza's "Gie".
Country: Indonesia
   
Autohystoria
In this extract from his article on Independent Philippine cinema for the book Glimpses of Freedom, the late Alexis Tioseco narrates the haunting sequences of Raya Martin's Autohystoria.
Country: Philippines
   
The Last Communist
Amir Mummad, touted in Film Comment magazine as "the world's funniest Muslim filmmaker", delivers his latest essay film, "The Last Communist", on Chin Peng.
Country: Malaysia
   
Bona
Bona: martyr or monster? Noel Vera revisits Lino Brocka's classic tale of obsession and stardoom.
Country: Philippines
   
 

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