Today is Saturday, August 19, 2017
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Philip Cheah
Only light and memory
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with John Torres
A Conversation with Apichatpong Weerasethakul
Words from that day
A Conversation with Edwin
A Conversation with Faozan Rizal
A Conversation with Amir Muhammad
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Ato Bautista
A Conversation with Lav Diaz
Continuities: Philippine cinema yesterday and today
A Conversation with Kong Rithdee
A Conversation with Pen-Ek Ratanaruang
A Conversation with the Editors of Bioscope Magazine
Reimagining Moroland: A tale of accidental filmmaking
Why and for whom do you film today?
Uruphong Raksasad: Self-sufficiency moviemaking
Journal Entry No.2: Wherever You Prosper
Art, Entertainment and Politics
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Journal Entry No.1: Anticipations of Light
Speech Acts - Censorship and Documentary Filmmaking in Singapore
Coming Out of the Film School Closet
Journal Entry No.3: End Credits
Whose Terror Is It Anyway?
The Face of Auntie Jen
Indonesian Cinema: A Year in Review
Notes Made in the Dark
Revolutions Happen Like Refrains in a Song*
Cinema Regained: Classic Filipino Films in Rotterdam
Singapore GaGa Tours Singapore
Mysterious Objects: On the early works of Apichatpong
Love Letters
Gazing with Fresh Eyes
Alexis links
Voices of Malaysian Cinema
The Trail of A Million Flowers
Monster!: I survive through other people's memories.
Toward New Ways of Seeing Southeast Asian Cinema
Why and for whom do you write/work today?
Rethinking Cinemas of Asia: Preliminary Thoughts
You can never go home

Bakit Bughaw ang Langit?
The court of public opinion: Lost O'Hara masterpiece is both a love story and an examination of a small Filipino community.
Country: Philippines
   
Book: Singapore Cinema
Benjamin Mckay serves as our critical guide through Raphael Millet's handsomely produced book, "Singapore Cinema"
Country: Singapore
   
Autohystoria
In this extract from his article on Independent Philippine cinema for the book Glimpses of Freedom, the late Alexis Tioseco narrates the haunting sequences of Raya Martin's Autohystoria.
Country: Philippines
   
Chemman Chaalai
Deepak Kumaran Menon's "Chemman Chaalai": Beyond the Gravel Road.
Country: Malaysia
   
Rabun
The vision is blurred, but the heart is clear: Hassan Muthalib offers an appreciation of Yasmin Ahmad's "Rabun".
Country: Malaysia
   
 

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