Today is Tuesday, January 21, 2020
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with John Torres
A Conversation with Philip Cheah
A Conversation with Edwin
Only light and memory
A Conversation with Amir Muhammad
A Conversation with Pen-Ek Ratanaruang
A Conversation with Sasithorn Ariyavicha pt.1
Words from that day
A Conversation with the Editors of Bioscope Magazine
Continuities: Philippine cinema yesterday and today
A Conversation with Faozan Rizal
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Kong Rithdee
A Conversation with Ato Bautista
A Conversation with Apichatpong Weerasethakul
A Conversation with Lav Diaz
The Trail of A Million Flowers
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Alexis links
Revolutions Happen Like Refrains in a Song*
Journal Entry No.2: Wherever You Prosper
Toward New Ways of Seeing Southeast Asian Cinema
Reimagining Moroland: A tale of accidental filmmaking
Monster!: I survive through other people's memories.
You can never go home
Voices of Malaysian Cinema
Uruphong Raksasad: Self-sufficiency moviemaking
Mysterious Objects: On the early works of Apichatpong
Cinema Regained: Classic Filipino Films in Rotterdam
Art, Entertainment and Politics
Why and for whom do you write/work today?
Indonesian Cinema: A Year in Review
Journal Entry No.3: End Credits
Love Letters
Why and for whom do you film today?
Notes Made in the Dark
The Face of Auntie Jen
Speech Acts - Censorship and Documentary Filmmaking in Singapore
Gazing with Fresh Eyes
Journal Entry No.1: Anticipations of Light
Coming Out of the Film School Closet
Rethinking Cinemas of Asia: Preliminary Thoughts
Whose Terror Is It Anyway?
Singapore GaGa Tours Singapore

Book: Singapore Cinema
Benjamin Mckay serves as our critical guide through Raphael Millet's handsomely produced book, "Singapore Cinema"
Country: Singapore
   
Sanctuary
Ho Yuhang's "Sanctuary": The Other Side of Malaysia.
Country: Malaysia
   
Agonistes
Wiwat Lertwiwatwongsa AKA Filmsick tackles an extract from a work-in-transformation by Lav Diaz
Country: Philippines
   
Bakit Bughaw ang Langit?
The court of public opinion: Lost O'Hara masterpiece is both a love story and an examination of a small Filipino community.
Country: Philippines
   
Chemman Chaalai
Deepak Kumaran Menon's "Chemman Chaalai": Beyond the Gravel Road.
Country: Malaysia
   
 

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