Today is Tuesday, December 10, 2019
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Edwin
A Conversation with Faozan Rizal
Words from that day
A Conversation with Pen-Ek Ratanaruang
A Conversation with Ato Bautista
A Conversation with Philip Cheah
A Conversation with the Editors of Bioscope Magazine
A Conversation with Sasithorn Ariyavicha pt.1
Continuities: Philippine cinema yesterday and today
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Amir Muhammad
Only light and memory
A Conversation with Apichatpong Weerasethakul
A Conversation with Lav Diaz
A Conversation with John Torres
A Conversation with Kong Rithdee
Speech Acts - Censorship and Documentary Filmmaking in Singapore
Cinema Regained: Classic Filipino Films in Rotterdam
Monster!: I survive through other people's memories.
The Face of Auntie Jen
Toward New Ways of Seeing Southeast Asian Cinema
Coming Out of the Film School Closet
Journal Entry No.2: Wherever You Prosper
Love Letters
Journal Entry No.3: End Credits
You can never go home
Reimagining Moroland: A tale of accidental filmmaking
Uruphong Raksasad: Self-sufficiency moviemaking
Notes Made in the Dark
Rethinking Cinemas of Asia: Preliminary Thoughts
Indonesian Cinema: A Year in Review
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Voices of Malaysian Cinema
Revolutions Happen Like Refrains in a Song*
Whose Terror Is It Anyway?
Why and for whom do you film today?
Alexis links
Art, Entertainment and Politics
The Trail of A Million Flowers
Mysterious Objects: On the early works of Apichatpong
Singapore GaGa Tours Singapore
Why and for whom do you write/work today?
Journal Entry No.1: Anticipations of Light
Gazing with Fresh Eyes

The Last Communist
Amir Mummad, touted in Film Comment magazine as "the world's funniest Muslim filmmaker", delivers his latest essay film, "The Last Communist", on Chin Peng.
Country: Malaysia
   
Rabun
The vision is blurred, but the heart is clear: Hassan Muthalib offers an appreciation of Yasmin Ahmad's "Rabun".
Country: Malaysia
   
Min
Min: Everyday life and Thirdspace. Khoo Gaik Cheng journeys inside the meanings found inbetween.
Country: Malaysia
   
Be With Me
Khoo Gaik Cheng samples Cannes favourite Eric Khoo's lastest, "Be With Me"
Country: Singapore
   
Sanctuary
Ho Yuhang's "Sanctuary": The Other Side of Malaysia.
Country: Malaysia
   
 

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