Today is Sunday, April 05, 2020
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with Lav Diaz
Continuities: Philippine cinema yesterday and today
A Conversation with Pen-Ek Ratanaruang
A Conversation with Edwin
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Faozan Rizal
A Conversation with the Editors of Bioscope Magazine
A Conversation with Ato Bautista
A Conversation with John Torres
Words from that day
A Conversation with Philip Cheah
A Conversation with Kong Rithdee
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with Apichatpong Weerasethakul
Only light and memory
A Conversation with Amir Muhammad
Singapore GaGa Tours Singapore
Journal Entry No.3: End Credits
Monster!: I survive through other people's memories.
Gazing with Fresh Eyes
Speech Acts - Censorship and Documentary Filmmaking in Singapore
Revolutions Happen Like Refrains in a Song*
Journal Entry No.1: Anticipations of Light
Love Letters
Toward New Ways of Seeing Southeast Asian Cinema
Voices of Malaysian Cinema
Art, Entertainment and Politics
Notes Made in the Dark
The Trail of A Million Flowers
Uruphong Raksasad: Self-sufficiency moviemaking
Journal Entry No.2: Wherever You Prosper
Coming Out of the Film School Closet
Rethinking Cinemas of Asia: Preliminary Thoughts
Why and for whom do you write/work today?
Reimagining Moroland: A tale of accidental filmmaking
Why and for whom do you film today?
Cinema Regained: Classic Filipino Films in Rotterdam
Whose Terror Is It Anyway?
The Face of Auntie Jen
Mysterious Objects: On the early works of Apichatpong
Indonesian Cinema: A Year in Review
You can never go home
Alexis links
Plural Identities: Reinventions & Revisions in Malaysian Cinema

Chemman Chaalai
Deepak Kumaran Menon's "Chemman Chaalai": Beyond the Gravel Road.
Country: Malaysia
   
Mukhsin
In this extract from his article on the Malaysian director for the book Glimpses of Freedom, the late Benjamin McKay explores what makes Mukhsin so distinctively a Yasmin Ahmad film.
Country: Malaysia
   
Agonistes
Wiwat Lertwiwatwongsa AKA Filmsick tackles an extract from a work-in-transformation by Lav Diaz
Country: Philippines
   
Sanctuary
Ho Yuhang's "Sanctuary": The Other Side of Malaysia.
Country: Malaysia
   
Gie
History, Propaganda, and Perception: a Conversation between Lisabona Rahman and Paul Agusta on Riri Riza's "Gie".
Country: Indonesia
   
 

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