Criticine :: elevating discourse on southeast asian cinema

Today is Wednesday, February 10, 2010

01.29.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
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Ben Slater

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Love Letters
For this special issue of Criticine, writers, film-makers, academics and curators from Southeast Asia were asked to write a passionate love letter to some aspect of cinema.

A Conversation with Lav Diaz
Longer is better: correspondence spanning several months (and several pages); read part of Alexis Tioseco's extended ongoing e-mail interview with Lav Diaz.

Why and for whom do you film today?
Criticine asks the questions and lists the answers. Read responses from a selection of Southeast Asian filmmakers.

MORE FEATURES / INTERVIEWS
A Conversation with Amir Muhammad A Conversation with Sasithorn Ariyavicha pt.1 A Conversation with Sasithorn Ariyavicha pt.2 A Conversation with Ato Bautista A Conversation with Faozan Rizal A Conversation with Pen-Ek Ratanaruang A Conversation with Kong Rithdee A Conversation with Apichatpong Weerasethakul A Conversation with Philip Cheah A Conversation with Edwin A Conversation with the Editors of Bioscope Magazine A Conversation with John Torres A Conversation with Lav Diaz Cinema Regained: Classic Filipino Films in Rotterdam Voices of Malaysian Cinema Revolutions Happen Like Refrains in a Song* Journal Entry No.2: Wherever You Prosper Mysterious Objects: On the early works of Apichatpong Whose Terror Is It Anyway? Plural Identities: Reinventions & Revisions in Malaysian Cinema Journal Entry No.1: Anticipations of Light Speech Acts – Censorship and Documentary Filmmaking in Singapore Rethinking Cinemas of Asia: Preliminary Thoughts Journal Entry No.3: End Credits Singapore GaGa Tours Singapore Coming Out of the Film School Closet Toward New Ways of Seeing Southeast Asian Cinema Love Letters Why and for whom do you film today? Notes Made in the Dark Art, Entertainment and Politics Indonesian Cinema: A Year in Review Reimagining Moroland: A tale of accidental filmmaking Uruphong Raksasad: Self-sufficiency moviemaking Why and for whom do you write/work today? Monster!: I survive through other people’s memories. Gazing with Fresh Eyes The Trail of A Million Flowers
last updated: December 15, 2009



	Gie History, Propaganda, and Perception: a Conversation between Lisabona Rahman and Paul Agusta on Riri Riza's "Gie". Country: Indonesia


	Min Min: Everyday life and Thirdspace. Khoo Gaik Cheng journeys inside the meanings found inbetween. Country: Malaysia


	Bakit Bughaw ang Langit? The court of public opinion: Lost O'Hara masterpiece is both a love story and an examination of a small Filipino community. Country: Philippines


	Syndromes and A Century Kong Rithdee describes Apichatpong Weerasethakul's Cinema of Impermanence. Country: Thailand


	Rabun The vision is blurred, but the heart is clear: Hassan Muthalib offers an appreciation of Yasmin Ahmad's "Rabun". Country: Malaysia