Today is Wednesday, April 16, 2014
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
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Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
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Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
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May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


The Face of Auntie Jen
The transformative power of cinema is explored by Richard Lowell MacDonald as he gazes at one of Apichatpong's most distinctive performers. Jenjira Pongpas.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
Continuities: Philippine cinema yesterday and today
A Conversation with John Torres
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Pen-Ek Ratanaruang
A Conversation with Amir Muhammad
A Conversation with Philip Cheah
A Conversation with Kong Rithdee
Words from that day
A Conversation with Ato Bautista
A Conversation with Faozan Rizal
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with Apichatpong Weerasethakul
A Conversation with Edwin
A Conversation with the Editors of Bioscope Magazine
A Conversation with Lav Diaz
Only light and memory
Rethinking Cinemas of Asia: Preliminary Thoughts
Whose Terror Is It Anyway?
Love Letters
Why and for whom do you film today?
Reimagining Moroland: A tale of accidental filmmaking
The Face of Auntie Jen
Journal Entry No.2: Wherever You Prosper
Singapore GaGa Tours Singapore
Speech Acts – Censorship and Documentary Filmmaking in Singapore
Mysterious Objects: On the early works of Apichatpong
Monster!: I survive through other people’s memories.
Art, Entertainment and Politics
Journal Entry No.1: Anticipations of Light
Uruphong Raksasad: Self-sufficiency moviemaking
Indonesian Cinema: A Year in Review
Why and for whom do you write/work today?
Toward New Ways of Seeing Southeast Asian Cinema
Voices of Malaysian Cinema
Journal Entry No.3: End Credits
Revolutions Happen Like Refrains in a Song*
Cinema Regained: Classic Filipino Films in Rotterdam
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Gazing with Fresh Eyes
Alexis links
Notes Made in the Dark
The Trail of A Million Flowers
You can never go home
Coming Out of the Film School Closet

The Amber Sexalogy
Malaysia indie cinema staple Azharr Rudin is a name to watch. Benjamin McKay unravels his sophisticated experimental sextet, "The Amber Sexalogy"
Country: Malaysia
   
Uhaw Sa Pag Ibig
Forgotten Silver: Critic Noel Vera continues his chronicles of little known gems from the quiet man, Mario O'Hara.
Country: Philippines
   
Autohystoria
In this extract from his article on Independent Philippine cinema for the book Glimpses of Freedom, the late Alexis Tioseco narrates the haunting sequences of Raya Martin's Autohystoria.
Country: Philippines
   
Syndromes and A Century
Kong Rithdee describes Apichatpong Weerasethakul's Cinema of Impermanence.
Country: Thailand
   
Village People Radio Show
Confessions, Testimonies and Social Memory: Vinita Ramani listens on Amir Muhammad's Village People Radio Show.
Country: Malaysia
   
 

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