Today is Monday, November 20, 2017
 
05.17.12
We've just launched 'Issue Six' of Criticine, a curated series of articles, interviews and reviews that explore films and film-makers from the ...
read more...

Ben and May

08.03.10
Criticine contributor. academic and critic Benjamin McKay died of a cardiac arrest on the 18th July. Much-loved by students and friends Benjamin will be sorely missed.

Ben and May

07.01.10
Hello.

We've just posted an update to Criticine: Love Letters. Four new letters declare love to objects of desire from the Phillipines, Indonesia, Thailand and Malaysia. Then we have a wide-ran...
read more...

Ben and May

01.28.10
Welcome to Criticine. Welcome to Love Letters.

Criticine was founded in October 2005 by Alexis A. Tioseco and was "dedicated to pushing forth intelligent discourse on Southeast Asian cinema". ...
read more...

May Ingawanij

01.05.10
Update coming soon...

Ben Slater

List all articles from this country:

 


Alexis links
To mark the anniversary of Alexis' death, Ben Slater searches the web for his writing. He finds blogs, journals, articles, essays, fragments and memories.


Continuities: Philippine cinema yesterday and today
Filipino filmmaker Raymond Red considers his work and Filipino cinema's history and future in an in-depth interview with Gaik Cheng Khoo.


You can never go home
To mark his tenth year in Singapore, Ben Slater presents seven fragments about nostalgia in the films of Royston Tan
MORE FEATURES / INTERVIEWS
A Conversation with the Editors of Bioscope Magazine
A Conversation with Edwin
A Conversation with Amir Muhammad
A Conversation with John Torres
Continuities: Philippine cinema yesterday and today
Words from that day
A Conversation with Kong Rithdee
Only light and memory
A Conversation with Ato Bautista
A Conversation with Pen-Ek Ratanaruang
A Conversation with Faozan Rizal
A Conversation with Sasithorn Ariyavicha pt.2
A Conversation with Apichatpong Weerasethakul
A Conversation with Sasithorn Ariyavicha pt.1
A Conversation with Lav Diaz
A Conversation with Philip Cheah
Uruphong Raksasad: Self-sufficiency moviemaking
Art, Entertainment and Politics
Reimagining Moroland: A tale of accidental filmmaking
Coming Out of the Film School Closet
Revolutions Happen Like Refrains in a Song*
Journal Entry No.3: End Credits
Rethinking Cinemas of Asia: Preliminary Thoughts
Voices of Malaysian Cinema
Gazing with Fresh Eyes
Why and for whom do you film today?
Love Letters
The Trail of A Million Flowers
Mysterious Objects: On the early works of Apichatpong
Journal Entry No.2: Wherever You Prosper
You can never go home
Notes Made in the Dark
Why and for whom do you write/work today?
Alexis links
Whose Terror Is It Anyway?
Cinema Regained: Classic Filipino Films in Rotterdam
Journal Entry No.1: Anticipations of Light
Monster!: I survive through other people's memories.
Indonesian Cinema: A Year in Review
Plural Identities: Reinventions & Revisions in Malaysian Cinema
Toward New Ways of Seeing Southeast Asian Cinema
Speech Acts - Censorship and Documentary Filmmaking in Singapore
Singapore GaGa Tours Singapore
The Face of Auntie Jen

Village People Radio Show
Confessions, Testimonies and Social Memory: Vinita Ramani listens on Amir Muhammad's Village People Radio Show.
Country: Malaysia
   
Agonistes
Wiwat Lertwiwatwongsa AKA Filmsick tackles an extract from a work-in-transformation by Lav Diaz
Country: Philippines
   
Mukhsin
In this extract from his article on the Malaysian director for the book Glimpses of Freedom, the late Benjamin McKay explores what makes Mukhsin so distinctively a Yasmin Ahmad film.
Country: Malaysia
   
Bona
Bona: martyr or monster? Noel Vera revisits Lino Brocka's classic tale of obsession and stardoom.
Country: Philippines
   
Singapore Dreaming
The HDB and beyond (or beyond the HDB): Vinita Ramani looks at the latest local film to have made noise in Singapore.
Country: Singapore
   
 

Copyright ©2005-2017 Criticine. All rights reserved. Web Design/Development by Inksurge and TechHive
Home | Features | Interviews | Reviews | About | Contact